Pomp and Robocircumstance
This video of a Japanese violin-playing robot is awesome. It doesn't really play violin that well, but check out the totally retro-futuristic design sense! That there is your classic, blocky anthropomorphic body design, accented with a space-shuttle color scheme. This robot looks the way all robots should look: like a 60s B-movie actor in a robot costume.
Musically speaking, the obvious flaw here is that they've designed it to play Elgar, an understandable error that even human musicians are all too familiar with. But this especially cramps a robot performer's style. Clearly the designers should have played to the robot's aesthetic strengths and programmed it to play Domo Arigato, Mr. Roboto on an early-vintage Moog synthesizer. Now that would make the future exciting again.
* * * * *
I hope this incident in Sudan will pass so we can focus on teddy bears not as a symbol of brutality and oppression, but as simply sweet cuddly companions that bring most of us pleasant memories.Taking "this incident in Sudan" to mean "entrenchment of violently intolerant Sharia law," I'd say yes, I hope that blows over for the teddy bears' sake. Also, they're totally cute! Man, I wish I had a regional media platform for saying things like that.
1 Comments:
I've always focused on the teddy bear as a symbol of how Roosevelt fractured the Republican vote by running as a third-party Presidential candidate in 1912, thus assuring the election of Woodrow Wilson.
That robo-violin clip will end up like those stories of men beating early automobiles in footraces. Sure, now it seems silly that it can only perform music to the level of a suspiciously MIDI-like sixth grader. But it will look like an ironic historical footnote in the future, once the robots are killing us telepathically with their mechanical minds.
Post a Comment
<< Home