Wednesday, July 01, 2009

Buggin' Out For The Holiday

Like most of this blog's humble contributors and following (read: my immediate family) I'm departing very shortly for the family homestead in Pittsburgh for a slightly lengthened long weekend. So I'll sign off for Independence Day, very briefly, with... Giant ant's nest! Awesome!

Monday, June 29, 2009

A Final Week in Poetry-Related Creativity (For Now)

Alright. This should cap off the recent spate of poetry-related self-serving links.

Watch the video here.

(It's a shame that they included neither the poem that I read during my spiel (A father's day poem which featured "the bay sparkling / like the copper-wound strings / of an unlidded piano in a dusty track-lit den") nor the limerick that dude ordered (in the voice of his father, to his mother).)

Sunday, June 28, 2009

La Belle Province (II)

Where did I leave off? Well, it was Tuesday night in Montréal and we'd just finished our bagels, so next on the docket was Sarah's favorite ice cream place, the name of which eludes me. (Since Sarah's in Brazil now, I can't crib from her notes any more about things were exactly called.) Suffice it to say it was excellent, like everything else in Montréal. I don't know if I've said this in as many words yet: I have half a mind to learn French and move to Montréal, because it seems like a perfectly scaled cosmopolitan city. Everything about Montréal gave me this feeling. Part of this reaction is that it's summer; in winter, rather like in Scandinavia, it gets dark and brutally cold and the suicide rate goes sky high. But in spring, it's an immediately amazing city, and after a couple of days there I only feel like my appetite is whetted.

That Tuesday night was a kind of island-evening of Montréalness, actually: we were just in for the evening, returning to North Hatley after a CD-launch concert given by one of Sarah's father's friends, a Celtic flutist by the name of Dave Gossage. (Sarah's dad passed away three years ago; I wish I'd gotten to meet him, since he was by all accounts a unique guy. His varied friends, many of whom we intersected with in Montréal, attest to that.) The music, through a five-man band (flute, drums, bass, fiddle, guitar, if I'm remembering that right) was high-energy with jazz traces, actually, and none of the new-age associations I was expecting from Celtic flutery. I'm really a fan of any music with a down-home earnest folkishness to it, and that itch was most definitely scratched, most directly by way of the endearing audience hoedown the last number inspired.

Wednesday was a quieter day; Sarah had scheduled a morning checkup appointment with her hometown dentist, who found a cavity in one of her wisdom tooth and yanked the damn thing out right then. So we took it a little easy after that, which was just as well since it was a muted rainy day. In the afternoon we drove 20 minutes through the hilly country roads (and their overexuberant 80 kmph speed limits, which I was never uncautious enough to approach) to a nearby quarry town, where Sarah had the errand of looking into a headstone for her dad's grave plot; in the evening we had family dinner with Sarah's store-owning aunt, then later on watched a DVD of the ludicrous 2008 Liam Neeson action vehicle Taken, which Pierre had pirated off the Internet into a distended not-fit-to-the-TV-screen version. Although if you made a list of all the unrealistic things about Taken, visual distendedness wouldn't crack the top 15. We caught the third period of one of the Penguins/Hurricanes game after the movie; I didn't feel like a very good Pittsburgher, needing to be displaced into Canada before I actually watched a Penguins game this season.

Thursday it was back to Montréal (about 2 hours from North Hatley, so the yoyoing isn't so bad) and to the bed and breakfast there, owned by another friend of Sarah's father, a Belgian woman who also makes chocolates, two of which, cocoa-powdered and elegant, were sitting in the fridge for us alongside the breakfast items. We shopped along the neighborhood's long promenade, the name of which eludes me, fortuitously closed off for a street fair. I took Sarah to her favorite jewelry shop, for a funky lilypad-looking silver ring that's been drawing comments since; she took me into department stores, where she tells me how good I look in shirts that otherwise wouldn't have occurred to me. We had dinner at a Middle Eastern place with three or four more friends-via-father; were handed off, in fact, her dad's urn from one of them (according to plan, again; travel and school had put shifted much of Sarah's logistic legwork to this year). Sarah's dad, by all accounts, would have found it amusing and appropriate to travel urnwise to dinner at a place named after Rumi and then go on to the symphony, where no one batted an eyelash about our lugging in a large green-velvet-enclosed object, despite there having been a major bomb scare in the Metro system that afternoon. (Well, major in inconvenience; minor in substance.) The symphony concert was a fine one, featuring Ravel's Daphnis and Chloe in full, which is just about what you want Kent Nagano and the OSM to put on. Somewhere around the Danse Generale it must have started pouring buckets, because we got absolutely soaked with that afterwards trying to get picked up by one of Sarah's high-school friends. We proceeded to a bar that was hip enough that I felt a little awkward trying to dry off my shirt at the bathroom blow-dryer. But an Irish coffee and a beer soothe most ills.

Friday we had sandwiches for lunch with more friends-via-father at a longtime Jewish corned-beef institution on that same shopping avenue; actually, some of that shopping must have fallen on Friday, although I don't remember how much of it. I think Friday was when we fell into conversation in one store with the elderly Jewish-Hungarian salesman named Harry, who was immediately gregarious and related the geographical shape of his life story and rolled up his sleeve to show us the number tattooed there from whichever one of the camps. In any case I think we were in at least one department store. It was still raining a little.

Gray skies over Montréal, as seen from the large city park whose name eludes me

Montréal has a fine contemporary art museum, near the symphony hall at the Place des Arts (I remember this much: "plass day-ZAHR," not "plass day ARTS"); I believe that was more or less our last marquee stop in the city, before a somewhat hairy drive to the airport (city detour: sign, sign, sign . . . sign . . . uh, no more signs) to pick up Sarah's brother Alexander, who lives in Vancouver but flew into town from Baku, Azerbaijan, where he'd been for work (the running of remotely operated deep-water submarines). On the drive back to North Hatley we stopped for dinner at La Belle Province, a fast-food chain specializing in poutine, a characteristic Québecois dish consisting of cheese curds and thin gravy over french fries. Poutine is salty and delicious, although a particular prerequisite is that you like cheese curds. I'm still torn about whether to pronounce it "poo-TEEN," which is phoenetic, or "poo-TSIN," which is with the Québec accent in effect. (I mean, it's not like I say "Ahrn City" when I'm ordering a beer. For a couple of different reasons.)

"La Belle Province" used to be Québec's motto; it's stamped on old license plates, which you can generally find in the antiques shop that your girlfriend's mother operates out of her home. The motto is now "Je me souviens," or "I remember," which also sounds like a nicety but has some degree of French-nationalist signification or connotation.

Much of Saturday was spent looking forward to a massive dinner gathering of family and friends; that night I got to more or less run the table in terms of meeting Sarah's North Hatleyan relations. The weather finally permitting again, we found time for a Lac Massawippi swim in the afternoon (by "we" I mean me and Alexander and one of Sarah's younger cousins; Sarah just laughed at us from the dock); the water was approximately as cold as it appears in the picture below, if less steel-gray, but surprisingly refreshing once you got your head underwater. (I guess that's usually the moral of the story that a lake will communicate to you.) My feeling is that if you're right there on a lake, you've got to swim in it. Although, come to think of it, I don't recall exactly instigating that excursion.

It's not a vacation until you have shirtless photos of yourself you can put on the Internet.

And that was pretty much that! We got an early start on the drive home Sunday, since we weren't going home directly, but rather to Morristown, NJ, where my college friend Andrea was getting married. Over to Montréal again, basically, then south through the Adirondacks and southern upstate New York. Back someday soon, I hope!

Thursday, June 25, 2009

Isolated Props to Michael Bay

In relation to all this discussion of jive-talking racist Transformers (by all rights, this should have been the subject of an eight-second cutaway gag on Family Guy, not something that actually exists in the world GOD DAMN YOU MICHAEL BAY) it blew my mind today to read that Michael Bay directed the classic "Aaron Burr" milk commercial. I never knew this, and since this commercial is quirky and charming, I'm all morally confused now.

Oh, oh, and here's another moral question! If two jive-talking racist Transformers are voiced by two different actors, and one actor is black and one actor is white, is one of the Transformers more racist than the other? Discuss.

Dana Stevens's review is pretty entertaining, by the way.

Kickle's Actual Cubicle

In honor of it being only Thursday somehow, here's a mini-project from yesteryear that I called "Semi-obscure Nintendo characters saying things I overheard at the office". It consists of NES screenshots and verbatim quotations that I heard around the workplace on one particular morning.










I wonder whether my gaming experience as a kid would have been enriched by knowing that Nintendo games from the late 80s would become an ironic / nostalgic vehicle for expressing vague dissatisfaction with my workday routine. I doubt it would have made it any easier to play all the way through "A Boy and his Blob" before we had to return it to the video rental place, though.

* * *

Meanwhile, a couple of years ago The Onion had a pretty brilliant treatment of the "It's only ___day" concept, mostly in terms of joking on the grammatical conventions of newspaper headlines. And who doesn't like joking on those?

Wednesday, June 24, 2009

Not-Really-A-Toy Story

With the release of Michael Bay's Transformers sequel, Transformers: Revenge of the Fallen, and with G.I. Joe: The Rise of Cobra due out later in the summer, the New York Times has put out this entertainment article that suggests there are a few other [Hasbro Toy Line]: [A Preposterously Self-Serious Subtitle] movies coagulating in the early part of the movie production pipeline:

Hasbro meanwhile is continuing to expand its presence in Hollywood. Last year it announced a deal with Universal in which at least four more of its best-known brands, including board games like Monopoly, Battleship and Candyland, would be turned into movies by industry heavyweights like Ridley Scott and Gore Verbinski.

I'm sure that many of these concepts are just spaghetti to be cooked and thrown at the wall to see what sticks, to use a familiar culinary cliche, and that probably only a small amount of that idea-pasta will be eaten by a major studio and pooped out onto the big screen. Yet I'm intrigued in particular by the sort of cinematic treatment that the Battleship brand would need in order to produce a movie that keeps up a high enough level of seafaring action while remaining recognizably tied to a board game in which two players take turns calling out grid coordinates to each other. I would recommend that such a film feature one or more of the following emotional peaks:

  • The Secretary of the Navy, played by Robert Duvall, stoically sinks his head in a Pentagon command center following a surprise naval attack and darkly intones, "Christ... You Russian bastards sank my battleship."
  • Tough-as-nails submarine captain Matthew McConaughey tries to keep control during a u-boat attack, exclaiming, "What row and column did they call out? I don't know those letter and number words! Everything's in German!"
  • Matthew Fox, a promising but hotheaded XO who takes command of a destroyer after his superior officer is killed in a torpedo attack, accidentally spills most of the red pegs down the seat belt hole in the back of his parents' Dodge Caravan.

I'd also be interested in seeing some level of evangelical Christian backlash if they do manage to put together a movie based on the Ouija board, since if I'm remembering my Teen Study Bible correctly that's right up there with Dungeons & Dragons among Satan's most successful incursions into the youth board game market.

Other than that, I would like to say that "an unnamed, unreleased Mattel toy monster that is being groomed for its own musical at Universal" has become my favorite noun phrase of the year, supplanting "debut suspense novel from a 14-year NFL place kicker and his Colorado pastor".

Monday, June 22, 2009

News has a Kind of Cynically Calculated Propaganda Value

I'll hopefully have more to say about Rick Perlstein's fine social / political history of the sixties and early seventies, Nixonland, once I finish reading it. If for no other reason than that I've been reading a lot this year and not really putting any of my reactions to what I'm reading into words, which feels lazy and unproductive. But I've just gotten through the couple of pages that touch on Nixon's 1972 visit to China, which had me all enthused when I realized that topic was about to be mentioned -- "Hey! Nixon in China! I like that opera!"

One of the big thematic elements of John Adams' opera Nixon in China, as seems typical for Adams' dramatic projects, is personal experience -- wonderment, disorientation, nostalgia -- getting caught up in the present-tense sweep of history being made. Nixon is presented as a sentimental character, and though he's not presented without ambiguity, I'm struck by the difference between the rhapsodic first-act introduction that Adams and librettist Alice Goodman give to Nixon the character as he begins his visit and Perlstein's (not editorially neutral) description of the same scene:

On February 17th, after a departure ceremony that earned him a standing ovation from even confirmed political enemies, Marine One ferried the president to Andrews Air Force Base, where he boarded the presidential 727, renamed for the occasion with a subtle reelection message: Spirit of '76. He took three days in Guam to acclimate himself to Peking time, then landed in China at 11:30 a.m. local time -- 9:30 p.m. eastern standard time, his favorite hour for televised speeches. On the flight to Peking, he called in Haldeman to go over the choreography for his egress from the plane one last time -- "the key picture of the whole trip." A general's sensitivity to commanding time and space, a theater director's obsession with the pageantry: he wouldn't allow anything but perfection for the most important entrance in his life. Another detail of timing he chose February 17th to drop the largest one-day tonnage on South Vietnam since June of 1968, to send a message that whatever his gestures toward peace, he was still a man to be feared.


Apparently all of this happened while Nixon's White House was relentlessly dirty-tricking Ed Muskie's Democratic primary campaign. (And I suppose it could be noted as well that Chairman Mao, a somewhat more ambiguous though generally philosophical character in the opera, directly brought about the deaths of tens of millions of people.)

None of this should be taken to suggest that I won't be pilgrimaging to New York for the Met's production of Nixon during its 2010-11 season. But it does knock me out of harmonizing emotionally with that first scene of the opera, at least for the moment -- it seems to weaken the opera that much of that mystery of news that Adams and Goodman have Nixon singing about was crafted by the president and his aides for political effect. Throughout the opera its authors rather brazenly humanize, maybe whitewash, its subjects and I don't have an issue with that approach, but this cuts closer to the opera's grounding theme.

This would be the second nonfiction book I've read this year that, although it wasn't a reason for my reading the book, covers the subject matter of a John Adams opera. The first would be Richard Rhodes' titanic "The Making of the Atomic Bomb", which I picked up based on Jack's very favorable mention in the august pages of this very blog. It didn't deflate my feelings about the goings-on in Adams' Doctor Atomic, although the description of the bureaucratic groupthink and budgetary self-justification that locked in the plan to bomb Hiroshima and Nagasaki -- to say nothing of the description of the nuclear attack on Hiroshima and its aftermath, in which Rhodes seems to finally let loose the full moral weight of twentieth-century history -- left me feeling that Doctor Atomic's focus on the weird exaltation of being on the cusp of discovery and history, while more than usually profound in operatic terms, is too small in the face of the subject matter. I suppose I could go for the trifecta (disregarding for the moment Adams' more recent and not-concerned-with-twentieth-century-political-history A Flowering Tree, which I haven't seen or heard) and read something factual about the 1985 hijacking of the Achille Lauro, although I doubt I have enough regard for Alice Goodman's frequently abstract, too often impenetrable Death of Klinghoffer libretto to have a similar experience.

Too Cloudy to Notice the Solstice

Totally missed it this year. These longest days of '09 are mostly obscured with some combination of clouds and rain, and they have been, more on than off, for two weeks now. I can't quite countenance actually complaining about non-disastrous weather, but, you know, I'm just registering the observation. Maybe things will eventually clear up as the planet begins to tilt back to where it was.

Every time there's a solstice I'm reminded of Pete's suggested reconstruction of the calendar from a couple of years back. I guess I'm not great at noticing Warm New Year's, either, although the last couple of years I've generally been too busy mulling over turning almost 30.

This Week in Creativity

A strange vanity project, pointing out the steadily-accumulating pictures on the internet of me typing poems, but there's one here. Fourth picture down.

Some dude at the WLRN gigs also took video of me (and a couple of the other poets, as we were writing); if that surfaces on the web, then we'll really have something. These poem store things are pretty crazy. We've done four of them now this month--should be all for at least a little while--and writing all these poems on the spot on random topics (I knocked out a good one back on Thursday, requested by a trio of young people, about "Yeti, Jim Morrison, and a major love disappointment"--centered around a certain famous live recording of Morrison singing along with Jimi Hendrix and saying a variety of things, few of which are safe for work, but all of which is worth looking up someday, when you've got time to spare on the internet (it's safe to say that the song in question played some kind of influence on a certain subset of my college band Dirty Weekend's output)--that the kids seemed to enjoy. And another about someone's pet chihuahua--about pretending it was a helper dog and sneaking it into a hall of mirrors.

But the people really seem to like their poetry, from all of us writers. Maybe because they don't actually know what poetry is, and are shocked to have something produced for them on the spot like that. We got a lot of requests for Father's Day poems as well, which tend to lend themselves to more schlock than I'd like, but these too seemed to go over well (not as schlocky as Hallmark, at any rate).

And, while I'm posting links about myself, here is a review of mini-comics semi-anthology that a piece I wrote (and my friend Nick drew) was included in (many of you will find yourselves buying one of these from me, I hope). "A funny concept..."! Hell yeah, I come up with funny concepts. Did I tell you the one about...

Sunday, June 21, 2009

La Belle Province (Interlude): Montréal Bagels

I didn't know till relatively recently that Montréal has something like the world's third-largest Jewish population; knowing this makes it less surprising that there is a distinct style of Montréal bagel. I've been eating these out of Sarah's freezer since December, and of course going to Montréal afforded us the chance to eat them fresher. Actually it's literally the first thing we did there.

There's an excellent Wikipedia entry on the Montréal bagel, explaining its character. They're boiled in honey water and then cooked in wood-fired ovens; they're sweeter and breadier than New York bagels.

Two famous Montréal bagel smithies are located close by in the same neighborhood. We meant to find St-Viateur Bagel (the brand favored by Sarah's grocery-store-owning aunt, and thus the family favorite) but found our way first to Fairmount Bagel. The counter girl at Fairmount reluctantly provided us enough of an idea about where to find St-Viateur (hint: it's on Rue St-Viateur), and meanwhile we bought up a bag of poppyseed bagels and some red pepper hummus, which we ate ravenously on the walk over, it being about 6 pm on a day we'd mostly been on the road from Québec.

At Fairmount Bagel you walk in and approach a counter, surrounded on other sides by glass-walled cases with stacks and stacks of bagels inside. St-Viateur Bagel has more of its operation on display, the gape of its bagel oven and the chute extending from it being right there to see. Doubling down, we ordered poppyseed bagels again, these being the ones still hot from being just cooked, and at them with the same red pepper hummus. Bagelry this blissful does not visit itself upon you many times in your life.

You would hope that someplace in New York, or at least the northeast, there would be some entrepreneurial bagelsmith to introduce the Montréal bagel, if only as a niche product, but all indications are that this is not so. Which is a real shame, as satisfying as New York's bagels are; and for a city famed for its diversity in all aspects, a loss, frankly. You can order batches of bagels online from St-Viateur, though they have to be in bulk and there's an unsurprising disclaimer about customs delays. I'm just going to stay dependent on Sarah for obtaining these periodically.